Tribute and Variety
Shows are super successful. The buyer gets more bang for the buck, spending the same amount on
4 to 6 names.
The audience gets to hear a variety of artists. Win Win!
In his sixth decade of hit making, Dickey Lee's awesome track record includes twenty "BMI" awards,
six "Million Performance Awards" and a reputation as one of Nashville's most consistently creative and soulful writers.
Dickey's place as a major hit recording artist beginning in the early, formative days of rock 'n' roll, and he still
retains a certain boyish charm that captivates today's audiences around the world.
With number one records on pop-rock and country charts, and as a songwriter, Dickey says: "I guess you might say
I've had three careers that sort of overlapped each other". It all started in his hometown of Memphis, Tennessee,
a fantastic music melting pot of pop, rock 'n' roll, country, rhythm & blues and gospel. "I was influenced by so many people
in so many fields that it took about half my career to find out who I was."
Dickey made his recording debut in 1957 with "Dream
Boy", a song he'd written, on the tiny Tampa label. When another fellow
in Memphis named Elvis Presley heard this local smash, he invited Dickey out to his house. Sam Phillips, Elvis's producer,
heard it and signed Dickey to Sun Records where he had more local hits.
Years later Sam Phillips was quoted as saying he felt he "didn't do right by Dickey" because he was a one man record
company and just didn't have enough time to devote to him. Dickey laughs and says, "I took it as a compliment. Just the fact that
Sam Phillips, (THE MAN!), heard something in me was enough to keep me going
Dickey went to Smash Records in 1961, where he and producer Jack Clement recorded his first number
one ... "Patches",
the record that launched a pop career of major hits including "I Saw Linda
Yesterday", "Laurie (Strange Things Happen in This World)"
and "The Girl From Peyton Place".
During this productive time, Dickey met "The Smoke Ring" (then "Little Joe and the Ramrods") and started a long association
and friendship that spawned several chart singles for the Smoke Ring, as well as opening a channel for Norfolk talent to Memphis
and Nashville. At Lee's invitation, they traveled to Memphis, Tennessee, to Sam Phillips' studio, where, as "The Smoke Ring"
their sessions produced a "That Girl Was My Girl", a regional hit, which led to a contract with Buddah, and a national hit,
"No, Not Much", and yet another chart single, "A Portrait of My Love."
Then in 1969 Dickey signed with RCA Records and had ten years of country hits that included
"Rocky", "9,999,999 Tears"
and "Never Ending Song of Love". Many of these songs were top ten and several hit number one.
Dickey Lee's impressive songwriting credits have insured his place in American music history. "The Door Is Always Open"
(#1-Dave and Sugar), "Let's Fall To Pieces Together" (#1-George Strait), "I've Been Around Enough To Know" (#1-John Schneider),
"You're The First Time I've Thought about Leaving" (#1-Reba McEntire), "I'll Be Leaving Alone" (#1-Charley Pride),
"In A Different Light" (#1-Doug Stone), "The Keeper of The Stars" (#1-Tracy Byrd), "She Thinks I Still Care" (#1-George Jones, #1-Anne Murray, #1 Elvis Presley).
Beside these number ones, he has hundreds of recordings by such diverse and notable artists as Kenny Rogers, Merle Haggard,
James Taylor, Brenda Lee, Kathy Mattea, Don Williams, Waylon Jennings, Jerry Lee Lewis, Randy Travis, The Cox Family, Marty Robbins
and countless others.
Dickey feels blessed to be able to continue to do what he loves to do. Today, he still writes songs and speaks at various
writing seminars. He has found an exciting niche playing classic rock 'n' roll revival shows with many of the artists
he started out with in the late 50's. Fabian, Bobby Vee, Tommy Roe, Lou Christie, Bowser, The Tokens, The Shirelles,
The Shangri-La's and The Crystals, to name a few.